Monday, July 7, 2014

Villains Are People, Too

To quote my favorite Broadway musical, "Are people born wicked, or do they have wickedness thrust upon them?"

Every story has a villain. They might be obvious, like President Snow in The Hunger Games, or  (in my opinion) they might be less obvious: a character's own self-destructive nature. Essentially, the villain is the force working against your protagonist.

For the purpose of this post, I'm going to concentrate on the obvious ones: the President Snow's, the Queen Levana's, the wicked step-mothers. In every tale, we tend to see only their bad side: their attempt at gaining and/or keeping power. What the audience rarely sees, however, is the steps in life that led the villains to becoming who they are.

So I ask again: Are people born bad, or is the badness created?

Your villains need a backstory. The catch? You, as the author, are probably the only person to ever know what that backstory is, unless, like Marissa Meyer, you write the villain's story (Fairest, coming out in early 2015).

The trick is to understand that villains aren't bad just for the sake of being bad. There's a reason they are the way they are, and they do the things they do. Looking for their motives will help you understand where they're from, and where they hope to go. It'll help you see why they're bad, or why they want your main character dead.

As already mentioned, a large motivation is power: gaining it, and then keeping it. Your job is to become the psychologist and dig down within their brains and figure out how power became so important to them. Were they orphaned as a child? Maybe they saw their parents killed in front of them. Maybe they loved somebody, once, and then were betrayed. They were wronged in some way, and now they're trying to make up for it.

Figure it out.

Villains are tricky. If you just have a guy with a monocle sitting in a chair petting a fluffy cat, and occasionally laughing maniacally, he's going to come up flat and unbelievable, and more comical than anything. Typically, that's what you want to avoid.

Look at President Snow. Sure, you see him as the guy who wants to keep the districts under his control, and keep the annual Hunger Games happening. This means he needs to kill Katniss, send a message. He's a character who's just a little bit more believable because you, as the reader, understand in book one that there's actually a law that was created about the Hunger Games, which has a base in the conclusion of a civil war that occurred seventy four years earlier. So, now, you understand that in a twisted way, he's only trying to keep the peace.

Most villains tend to believe that they're doing good. They're saving lives, they're creating order. Many dystopian societies revolve around rules and measures that were put into place to ensure the majority's survival. We might think they're far-fetched and too extreme, but to the people leading these societies they're performing a righteous task.

Other villains, in paranormal books, perhaps, might believe themselves to be ridding the world of weakness. Or they have personal vendettas that put one group of people against another in an invisible war that lasts ages. These villains, just like President Snow, believe themselves to be in the right.

I'm not religious, but you can even look at Lucifer (the devil). He was cast out of heaven for challenging his superior, acting on his own pride while believing God to be too prideful in himself. In classic belief of the devil being out to collect souls for hell, he, too, his basically just doing his job.

See, there's four kinds of villains I just explained (I hope?), and the trick is to understand that they, like all of your characters, have histories. Your job is to understand the history of your own villain, and ask yourself why they're the villain, and what happened to make them that way.

Heck, even take Voldemort. He was an orphan who was always picked on by the other kids, so when his magical abilities showed themselves randomly he wasn't sorry. Then, when he found out he was a wizard, he was able to grow and take vengeance against the muggle father that he'd always hated for giving him up. That's a backstory, too.


If it helps, try checking out movies or television shows that chronicle or retell the histories of famous villains. I quotes Wicked at the beginning of this post; that musical is based on the book by Gregory McGuire, which tells the "untold story" of the Wicked Witch of the West. In that tale, the Wicked Witch isn't, well, wicked, only politically misunderstood; she was even best friends with Glinda, the Good Witch. The movie, Malificent, recently came out into theaters, and attempts to explain why the famous Sleeping Beauty villain cast the spell on Aurora in the first place. This fall, Fox is coming out with a new show called Gotham, that follows not a young Bruce Wayne (well, okay, I think it sort  of does, in a small way), but the classic villains he'll fight in the future, including (but not limited to): Catwoman, the Penguin, and the Riddler.

Tapping into entertainment like that described above can help you shape your own villains by studying the way others are portrayed.

Remember, when it comes to villains you're probably the only one to ever know the full story. Understanding them to that extent, though, will help you anticipate the way they'll act, and it'll help you create more three-dimensional antagonists.

Rae

Saturday, July 5, 2014

Tea Time: The Lost Girl

**Warning: Spoilers May Abound**

The Lost Girl, Sangu Mandanna

Eva's life is not her own. She is a creation, an abomination—an echo. She was made by the Weavers as a copy of someone else, expected to replace a girl named Amarra, her "other," if she ever died. Eva spends every day studying that girl from far away, learning what Amarra does, what she eats, what it's like to kiss her boyfriend, Ray. So when Amarra is killed in a car crash, Eva should be ready.

But sixteen years of studying never prepared her for this.

Now she must abandon everything and everyone she's ever known—the guardians who raised her, the boy she's forbidden to love—to move to India and convince the world that Amarra is still alive.

What Eva finds is a grief-stricken family; parents unsure how to handle this echo they thought they wanted; and Ray, who knew every detail, every contour of Amarra. And when Eva is unexpectedly dealt a fatal blow that will change her existence forever, she is forced to choose: Stay and live out her years as a copy or leave and risk it all for the freedom to be an original. To be Eva.
From debut novelist Sangu Mandanna comes the dazzling story of a girl who was always told what she had to be—until she found the strength to decide for herself. (source:goodreads)

Cover-This cover is both trippy and wonderfully surreal in so many ways. I love the use of the girl's silhouette to provide a different setting than what's outside of her. And the lettering is really bright, which actually melds really well with the picture. The otherwise gentle coloring calms the entire image down enough that it's so much more of a relaxed feel.

Honestly, I'm not sure how to describe the cover. I just think it's really pretty.

★★★★★

Narrative-This book is told in the first person POV from the perspective of Amarra's "other," who names herself Eva within the first part of the book. Her voice is extremely simple, and I think it reflects on Eva's history and nature really well. This is a girl who's basically been stuck inside a house her whole life in a town that exists in the middle of nowhere, who isn't allowed to experience things unless her "other" has already experience them, and even then the majority of it is given to her through photographs.

The danger is: if she goes out and somebody realizes she's an echo, she'll be killed. Either by hunters, or if the police get wind of her. The result is that she's such a sheltered child that she really doesn't know much about the world and I think her voice reflects that.

The simpleness of it did throw me off in the beginning, though; it was a bit difficult getting into the novel for that reason, but either the narrative style grew more complex along with Eva's new experiences in a new life or I got used to it pretty fast.

★★★★☆

Plot-The plot really struck a nerve with me. Eva was literally raised to be somebody else; the fact that she's so different from her "other," Amarra, causes so many problems that if word got back to the Weavers (the people who made her) they could have her "unstitched," or killed. If Amarra's parents (or Amarra, herself) decided they didn't want an echo, anymore, then Eva would be "unstitched," or killed.

The fact that this girl was created to be somebody else, and that her life was literally in the hands of people she never met before, made this book a bit intense, especially when people start to find out that Eva is an echo and not the real Amarra. She's an outcast, and people accuse her of "stealing" Amarra, when Eva really had no choice but to step into the dead girl's shoes.

It's an interesting take on Frankenstein and identity. How do you become you when the world is telling you how to be somebody else?

The conflict on Amarra's side is interesting, too. She lives her life trying to spite her echo, even getting a tattoo that Eva is dead-set against. Amarra knows that if she dies, there's somebody who's just going to "steal" and "take" everything away from her. Nothing is "hers," but "theirs."

Seriously, try living with the knowledge that if you died, there's going to be somebody to take your place and completely take over your life.

Those are the emotions and feelings and questions that kept me rooted into this novel, and I really think that the premise was fascinating. I could hardly put the book down. My only complaint is that I would have loved to see more of the Weavers and the mysterious Loom, beyond the glimpse that we get toward the end. And the ending, itself, kind of left more to be desired, but in a slightly negative fashion.

Those are the only reasons I'm taking a star off.

★★★★☆

Characters-Eva's development during the novel was an interesting one. Something I particularly liked was that when she finally decided to fight back against the Weavers, it wasn't to completely annihilate them or destroy what they do; instead, it was simply an effort to make a life for herself by escaping the life that was built for her. Maybe it's more of a selfish goal for her, but it was an interesting and realistic one to watch her try to achieve. Watching her attempt to adjust to life as Amarra was also pretty touching, since many of her struggles were internal, things that literally nobody else would be able to help her with.

There are a few other "main" characters, and I think these would namely be Ray-Amarra's boyfriend-and Sean, the boy that Eva loves. Ray's development was a bit odd; the moment he found out that Eva was an echo his personality completely changes, and it felt like an interesting way to reveal the worst in people. Sean, on the other hand, is basically the perfect best friend and I kind of loved him, since he was essentially Eva's informant from within the Loom and could keep her updated with happenings from where she's from.

★★★★☆

Final Answer: 4.25 / 5

Rae

Tuesday, July 1, 2014

Tea Time: Cress

**Warning: Spoilers May Abound**

https://www.goodreads.com/book/show/13206828-cress?from_search=trueCress, Marissa Meyer (The Lunar Chronicles #3)

In this third book in the Lunar Chronicles, Cinder and Captain Thorne are fugitives on the run, now with Scarlet and Wolf in tow. Together, they’re plotting to overthrow Queen Levana and her army.

Their best hope lies with Cress, a girl imprisoned on a satellite since childhood who's only ever had her netscreens as company. All that screen time has made Cress an excellent hacker. Unfortunately, she’s just received orders from Levana to track down Cinder and her handsome accomplice.

When a daring rescue of Cress goes awry, the group is separated. Cress finally has her freedom, but it comes at a high price. Meanwhile, Queen Levana will let nothing prevent her marriage to Emperor Kai. Cress, Scarlet, and Cinder may not have signed up to save the world, but they may be the only hope the world has.
(source:goodreads)

Cover-I'm going to fangirl over this cover just like I did for Cinder. This cover follows the same pattern as the other two in the series, with the style and positioning of letters, the blue background, and then the image that represents an iconic fairy tale character. In this case, it's Rapunzel, a.k.a. Cress.

Honestly, I just love it and I think it's gorgeous and I want to hang it on my bedroom wall.

★★★★★

Narrative-This installment of The Lunar Chronicles follows the same pattern as the previous: told in the third person POV of various characters. Cress has the added the perspective of Crescent Moon (a.k.a. Cress) to that of Cinder, Scarlet, Kai, and Thorne (to name the main ones), and once against I really don't think Marissa Meyer disappointed in the least. Cress is innocence personified; she sees her world-and the world of Earth-through her imagination, and it shows so well through Meyer's style.

I've come to realize with this book that Meyer definitely knows what she's doing when it comes to using the third person, because she's still able to give each character a distinct voice , so even without indicating whose perspective the novel is shifting to, the reader can identify it almost right away. It's fantastic. Meyer is fantastic.

I could gush about this all day, and I've still got two categories to go.

★★★★★

Plot-While Scarlet was kind of about the characters all getting together to form a group, Cress took a different turn: everybody gets torn apart. Wolf, Cinder, and Iko form one "team"; Thorne and Cress form a second; and poor Scarlet gets into the hands of the Lunars. The majority of the plot is each individual "team" trying to 1-survive, and 2-find their comrades, which is easier said than done considering Thorne and Cress wind up in the middle of the Sahara Desert and have no way of contacting Cinder.

Meanwhile, Kai is about to marry Levana and the whole time I (the reader) was like NO, NO, NO. So it's pretty intense.

I loved this plot more than I did the previous, purely because it focuses strongly on character relations. Everybody seems to be forced to interact and trust their polar opposites, or people they wouldn't normally rely on. Wolf is only really understood by Scarlet, for example; Cinder has to force herself to trust a Lunar operative who she captured and who accompanied her to Africa; Scarlet has to survive amongst probably the most vilest race of people in the universe, who perform sickening mind tricks on her; Kai has to figure out how to survive a queen determined to become empress and later kill him.


Plots like this test the human spirit and will, and force people to see things in different ways. For each of these groups (well, Cinder's group might be iffy), it turns into a literal fight for survival.

Added to this: Cinder's Lunar abilities are growing, and she's forced to use them in select situations just to survive. Her own struggle during these times is phenominal.

★★★★★

Characters-Cress is the newest character we get introduced to, so I'll focus on her (for more information on the previous characters, you can refer to my reviews for Cinder and Scarlet).

Cress is . . . adorable. Her character is based off the fairy-tale Rapunzel, as she's been trapped in a "tower" (satellite) away from human contact for basically her entire life. And her hair is long and blonde, and . . . well, yeah.

Her isolation means that she's experienced Earth only through whatever pop culture news sources she could get. Her imagination is her world; she frequently imagines herself as a ballet dancer, or an explorer, etc, in order to help her "act" out the many situations she winds up in. Basically, it's her coping mechanism, and it makes her an extremely sweet and naive character, especially seen in the way she's romanticized Thorne during her research of him.

I admit to getting a bit peeved with her constant make-believe, but that's what I found made her character so real and believable. Cress is, essentially, a child. She doesn't know what the world is really like outside of her satellite, so she had to dream one up, and watching that dream come into conflict with the reality shaped her into an interesting character to watch.

I would also like to point out: Iko. She's still as adorable as ever, and *spoiler* she finally gets the escort-android body that she's always wanted, and even gets to directly participate in the action.

To shed some light on the others: Scarlet we actually don't see much of. We get small chapters here and there that outline her time as a prisoner on Lunar. Thorne continues to be his cheeky and sarcastic self, but his development during his time with Cress as his only companion (and someone he really relies on due to an injury) gives way to a soft side that fits him well. Cinder, as I've pointed out, is trying to carry the weight of the world on her shoulders, literally, and her conflict with her growing Lunar abilities ensure that her character develops in an interesting fashion, as well.

★★★★★

Basically, I love this book. To pieces. I cried when I found out that Winter (the fourth installment of the series) won't be released until late 2015. My mood was lifted only slightly upon the discovery of Meyer's secret project, Fairest, that comes out in January. It's a prequel that's focused on Levana, so it should definitely be interesting.

Final Answer: 5 / 5

Rae